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Albums like Ummagumma and Meddle ushered in the progressive-rock era with their sprawling, side-long compositions (and, decades later, proved foundational to indie movements like post-rock and doom metal).īut with 1973’s The Dark Side of the Moon, Pink Floyd were no longer strictly the domain of underground-music heads. Which is ironic, given that they were initially led by the irrepressibly charismatic Syd Barrett, whose madcap genius spawned the brain-scrambling psychedelia of 1967’s The Piper at the Gates of Dawn.īut after Barrett’s erratic behavior prompted his dismissal from the group a year later, Floyd transitioned into a more enigmatic cosmic-rock collective powered by Roger Waters’ propulsive basslines, Richard Wright’s ethereal keyboard drones, drummer Nick Mason’s tense time-keeping, and the deeply emotive guitar squeals of Barrett’s replacement, David Gilmour.
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Pink Floyd are notable not only for what they popularized (immaculate hi-fi production, elaborate concept albums, planetarium laser shows) but for what they negated: With their carefully cultivated sense of mystique, they proved you needn’t play the role of camera-mugging pop stars to become one of the world’s most famous rock bands.